Saturday by Ian McEwan or the resurgence of 9/11 in allegorical form

  • Anne-Laure Fortin Tournes Lille 2
Mots-clés: McEwan, Ian

Résumé

In Saturday by Ian McEwan, the author seeks to translate the eventfulness of the 9/11 disaster into an allegory of the safe Western individual whose life is suddenly intruded upon by rogues. Even though the novel does not impose a clear-cut ideological or political position as regards the 9/11 attacks, yet the plot forces the reader to reconsider the event in its social and political implications as it chooses the figure of the allegory to emplot the main protagonist’s own eventful day and its sudden disruption by street mobs. With the enfolding of the story, when the reader expects the plot to take a turn for the worst, an almost miraculous epiphanic scene takes place, where imminent disaster is transmuted into the life-saving happening of a poetic event. Thanks to the alchemical transmutation of a political disaster into a poetic event, the allegory which McEwan’s novel relies on, appears as one of the ways the author comes to terms with the sense of helplessness and impotency which 9/11 has allegedly brought onto a number of English and American fiction writers since 2001.

Biographie de l'auteur

Anne-Laure Fortin Tournes, Lille 2
Anne-Laure Fortin-Tournès is a maître de conférences at the University of Lille II. She is a doctor in English literature and a specialist in XXth century British fiction. Her doctorate thesis addressed the issue of the representation of violence in novels by Ian McEwan, Martin Amis and Graham swift. She has written a book on Martin Amis and postmodernism, and a number of articles on postmodern British fiction.
Couverture-L'Atelier-1-2009
Publiée
2009-07-16
Numéro
Vol. 1 (2009): La Résurgence
Rubrique
ARTICLES

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